As writers we never intentionally set out to frustrateΒ the reader, but mistakes happen and blunders are made, ones which we usually wish someone had enlightened us on at some point in time. So here I go, aiming to shine a light on those common slip-ups which can makeΒ the reader say, βAh, what?β
Naming Your Non-Speaking Characters
As youβre no doubt aware, when we name the major players in our story, this is our readerβs clue that this person is someone of importance, and theyβll note those names and pay attention. So that being the case, make sure you donβt make the mistake of naming your non-speaking/non-pivotal characters. Your reader isnβt going to care about the name of the next door neighbor, or the waitress who serves her coffee, the delivery boy, or even the name of the cute dog who lives next door and wags his tail.
You want to make certain you donβt frustrate your reader, because those clues they look for can get lost within the maze of names if you do. So keep in mind, that unless the person serves an essential role, they should remain a nameless prop within your story.
Too Many Bodily Processes
Here we goβ Her heart raced. She struggled to catch her breath. Her heart beat in her chest. She sobbed in choking gulps.
Yeah, sometimes Iβve read too many of these short βshowsβ within a half page of writing, and Iβve actually wondered if the heroine is about to have a heart attack (if you get my drift.) This can be frustrating for the reader, so make sure you go easy on these, and ensure you show in all the ways we have open to us as writers. Always remember to include strong dialogue and narration to drive your scene, giving a good blend of all the elements.
Β
Characters Calling Each Other By Name β When Is It Too Much?
Oh boy, this is a something that frustrates me when Iβm reading a book. And to explain it fully, let me set the scene to give you an accurate description of what I mean.
Here Jack is sitting on a chair in the dining room, and Jane comes in after a long day at work. Itβs just the two of them having a conversation.
βDid you have a bad day, Jane?β Jack sat forward, watching her intently.
She tilted her head, and blew out a breath. βJack, what was your first clue?β
βOh, I donβt know, Jane. Perhaps it was the way you stomped into the room.β He stroked his jaw. βWhy donβt you tell me about it?β
She clenched her fists and glared. βI hate my job, Jack. I canβt stand being the one everyone unloads their work on.β
Okay, I went overboard on the name use, but what Iβm trying to point out is that any reader will get that Jack and Jane are having a conversation, and as writers, we need to eliminate any overuse of our charactersβ names. So often Iβll be reading a passage where itβs just the hero and heroine present and theyβre saying each otherβs names in general conversation as Iβve recorded above. But why? I mean how often do you say someoneβs name once youβre already speaking to them?
And to make certain weβre all on the same page, hereβs the example rewritten without the overuse of namesβ
βDid you have a bad day, Jane?β Jack sat forward, watching her intently.
She tilted her head, and blew out a breath. βWhat was your first clue?β
βOh, I donβt know. Perhaps it was the way you stomped into the room.β He stroked his jaw. βWhy donβt you tell me about it?β
She clenched her fists and glared. βI hate my job. I canβt stand being the one everyone unloads their work on.β
As you see, the dialogue was strong enough to dispense with the names straight after the opening line. It was more than obvious exactly who was speaking. So, once your scene is set, and your reader knows who is who, then donβt bring their names back in until the scene changes, or itβs unclear whoβs speaking, or youβre just plain driven to drop that name back in. (And youβll know what I mean when that happens, but until then, judge your own writing and donβt allow yourself to go overboard.)
Β
Question: Of the three common mistakes Iβve mentioned, which frustrates you the most when youβre reading? And if thereβs any other that really exasperates, make sure you tell me and Iβll mention them in a future post. Because thatβs what Iβm all about–ensuring writers support writers by keeping us all informed.
Thatβs all folks, and I hope my blog post this week has been immensely helpful. If you havenβt joined me for your weekly dose of bite-sized writing tidbits and youβd like to, then simply check out the right-hand side panel, and enter your email address to βfollow the blog.βΒ If you want, also click βlikeβ on my FB author page to the right.Β I love all the support.
* * * *
PROTECTORβBUY THE BOOK: Amazon Kindle / B&N Nook / iTunes / Lyrical Press / Kobo.
Hi Joanne
All of the above bug me π On the names front, I find so many of my characters can be identified just as you have referred to them – the neighbor, waitress, gardener etc. You can vary the references by doing such thing as nosy neighbor etc, as long as you don’t over do it.
I think you’re right about bodily processes, I don’t read much romance, but some of it ought to come with a defibrillator for the heroine π
Cheers!
LOL. Hi Nigel. I love your defibrillator comment–that’s got me smiling. Thanks for leaving a comment.
Best,
Joanne
It is helpful. Good reminders.
Naming characters that don’t matter in the least is the worst. A big part of me treats a book like a mystery whether it is one or not- I try to figure out what will happen from the clues the offer gives and where the author chooses to spend his or her time in the world. So when an author names people that don’t matter I feel violated- like it was a red herring of the worst kind: an unintentional one. I can’t stand it. Thanks for the tips!
LOL this made me chuckle – the passage where Jack and Jane keep calling each other by name. It’s like they were annoyed with each other instead of her being annoyed with her job. Those are great tips, thanks for sharing them with us!
There are some authors who do things that annoy me but none that were covered today.
Have a fab day!
All that you have mentioned bug me when I am trying to read a story. What really gets on my nerves though is when a writer spends too much time on detail. Like for example, the main character is arriving at a house he/she has never been to before and the author will spend three pages describing the house. Giving detail is important in writing so it can spark the readers imagination but too much detail is boring. Honestly once I have a visual of the place in my mind I skip the other pages and move on with the story.
That gets me, too, Tabitha. I do the same thing as you and skip ahead. Also if I’m reading something the writer has already mentioned beforehand to do with plot, I get bored and jump ahead. It’s like, hello, I’m clever enough to remember that part. Hey, thanks for the comment. Love it.
hi Joanne, love your work.
I think the overuse of the character name is the worst. I try to keep it flowing naturally, otherwise when you read it back (out loud) it sounds stunted and very odd. We don’t talk that way so don’t write that way. At times I even drop ‘said…’ all together, unless it appears confusing who said what or a third character appears on/in the scene. Remember the ‘show, not tell’ rule, readers are not stupid an have an imagination of their own, we need only show/describe hints to a scene through another character and the reader will pick up on that without being told. I think you’ll know what I mean. Keep up the good work. Rick
Hi Rick. Like you I hardly ever use “said” in my writing, too. Your comment is spot on. Love it.